Ketten & Anhänger

The Jew's harp is thought to be one of the oldest musical instruments in the world. The strength and speed of inhaling must coincide with the vibrations of the tongue. Excessive sudden inhalation leads to fading of the tongue vibrations, sometimes to a complete stop. That is why when playing you should constantly listen to the sound of khomus and support its vibrations by your breath and rhythmical plucks. Only then, animated by your breath, the khomus will speak with a human voice, will play and sing like a lark one spring morning.
Thus with the help of the tongue you can alter the pitch of the basic tone, since here only the volume of the mouth cavity, a sound resonator, is changed. But if you use lips and pharynx organs, the vocal apparatus, you can make various, marvelous sounds.
A simple kind of the moderate style is playing tunes of folk songs so one can hear the words of the song. In this case you pluck the tongue to the melody time and soundlessly move the speech organs, as if saying the words of the song. Then the khomus plays so that one can hear the melody and even the words. That is why the Yakut khomus is called a speaking khomus. This kind of playing is well suitable for teaching those who begin to feel the rhythm of the music. A well-known traditional melody "bie-bie-bie" (the vowels are pronounced like in "near". - T.) is an introductory part of any moderate style playing.
It was a great experience to take part in the Symposium, and to know the background of the Tuvan Jew's harp culture by my own eyes. It was also my pleasure to meet the "old" friends again in Kyzyl. During the Symposium, Valentina Suzukei and I started to talk about a new project of releasing a CD of Tuvan Jew's harp music, but at that moment, it was just like a dream. Gennadii Chash, the teacher of mine, invited me to his place in Shagonaar after the Symposium, to give me the "continuation" of the lesson. It turned out that we were of the same age. It became an unforgettable experience for me.
In the following centuries, up to 40 masters in their family business with 200 employees produced several million pieces of Jaw Harps annually. The Jaw Harp was not made in workshops, but in the respective rooms. Do not give up playing the khomus. We should consolidate to renew the present traditions of khomus playing throughout. Find your personal khomus.
4 In 1984 he gave a Jew's harp presentation using a variety of European and Asian Jew's harps. Although no learn of overtones in particular, but just to play Jew's harp and, our organism remember a lot of overtones unconsciously. Musicians typically studying jew's harp melody playing typically learn by copying other soloists' performances.
We don't know where the instrument started. One of the very first items that the Dutch traded on Manhattan Island in CT in the early 1600's was a jew's harp. An European-made jaw's harp was found in a Native American gravesite (which may be Massasoit, the Wampanoag Sachem who welcomed the Pilgrims in the 1620s) in Rhode Island. This harp dates back to the mid-1600's. A similar Native American instrument called a "mouth bow" is a small bow placed up against the cheekbone. It is possible that the mouth bow was a result of exposure to the European jaw's harp.
At the sound of a Mouth-harp have different mechanical characteristics influence, which I would like. We recognise that buying musical instruments online without being able to physically play and hear them has it's limitations, particularly with many of our unique instruments that you won't have experienced before.
For the collages, to start I collected recordings of water from around my community. Waves are pretty much my favorite sound. The rhythms are so organic. There are just so many dynamics and frequencies. It sounds amazing. So yeah, I did a few weeks of field recording on cassette, and I dumped a few long-form harp improvisations on there as well. I unspooled the cassette, stuffed it in a small bit of netting I found in a lobster trap, attached a long string to the net, then tossed the whole thing into the tidal marsh across from my house and left it there for a month. When I pulled it back in, the tape was destroyed and caked in salt. I digitized a couple metres of tape at a time—that's as much as I could spool onto a cassette and still have it play. After that, it was just a matter of editing the short clips into coherent compositions. Once the tape was out of the water, the process took me probably a hundred hours or more. Very labour intensive.
Đàn môi ((Vietnamese): meaning "lip lute") is the Vietnamese name of a traditional musical instrument widely used in minority ethnic groups in Vietnam. This instrument is somewhat similar to the jaw harp but there are some differences. Most Đàn môi are crafted out of a single piece of brass and attached with a string to a decorated bamboo case. Rather than being played against the teeth, like a jaw harp, the dan moi is played against the lips. This gives much more flexibility to player, leaving them freer to shape their oral cavity as a resonance chamber to amplify the instrument.
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https://jews-harp-khomus.blogspot.com/2020/02/what-is-best-harp-for-beginner.html

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